Stigmas of the Tamil Stage
An Ethnography of the Special Drama Artists in South India
6 x 9.25 inches, xxii + 441 pp, 54 halftones. 2007
ISBN : 9788170463214
Rs 750.00 (PB)
A study of the lives of popular theatre artists, Stigmas of the Tamil Stage is the first indepth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted ‘specially’ for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Special Drama is looked down upon by the middle and upper classes as too popular, too vulgar and too ‘mixed’. The artists are stigmatized, especially the actresses who are marked as ‘public women’ by their participation in Special Drama. As Susan Seizer’s sensitive study shows, one of the primary ways the performers deal with such stigma is through ‘humour’ and linguistic play. Seizer draws on extensive interviews with performers, sponsors, audience members and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers’ lives both on stage and off stage.
Susan Seizer is Associate Professor of Communication and Culture at Indiana University.
Theatre And Performance Studies