That Which Is Not Drawn
William Kentridge and Rosalind C. Morris in Conversation
Rosalind C. Morris, William Kentridge
5.5 x 7.75 inches, 304pp. October 2013
ISBN : 9780857421753 & 9780857424457
Rs 525.00 (HB) 425.00 (PB)
$35.00 (HB) 24.50 (PB)
£24.50 (HB) 16.99 (PB)
For more than three decades, William Kentridge has been exploring the most vexing questions of our time: the nature of subjectivity, the possibilities of revolution, the legacy of the Enlightenment in Africa and thought about time itself. While doing so, his work has pushed the boundaries of the media in which he poses these questions, allowing viewers to reflect with him on the tasks and the limits of representation, the traditions of landscape and self-portraiture, the possibilities for animated drawing and the labour of art.
For five days, Kentridge sat with Rosalind Morris to talk about his work. In this book, the result of that remarkably wide-ranging conversation, they probe as deeply into the techniques by which Kentridge works as the psychic and philosophical underpinnings of his oeuvre. Kentridge elaborates several key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation and the activity of the viewer. And together they trace the migration of images across his works, and think through the possibilities for a revolutionary art that remains committed to its own transformation.
Always seeking to evade confinement—by medium, by discourse, by political piety—Kentridge avows the conversational form as a process of invention: ‘That’s the thing about a conversation. The activity and the performance, whether it’s the performance of drawing or the performance of speech and conversation, is also the engine for new thoughts to happen. It’s not just a report of something you know.’
William Kentridge is one of most prominent contemporary artists in the world. Best known for his animated films based on charcoal drawings, he also works in prints, books, collage, sculpture and the performing arts. In the past two years, his work has been seen at the Metropolitan Opera and MoMA in New York, Jeu de Paume and the Louvre in Paris, La Scala in Milan, the Israel Museum in Jerusalem and the Albertina Museum in Vienna. In 2010, Kentridge received the Kyoto Prize in recognition of his contributions in the field of arts and philosophy. In 2011, he was elected as an honorary member of the American Academy of Arts and Letters and awarded the degree of Doctor of Literature honoris causa by the University of London.
Rosalind C. Morris is professor of anthropology and former associate director of the Institute for Comparative Literature and Society at Columbia University. A scholar of both mainland Southeast Asia and South Africa, she has published widely on topics concerning the politics of representation, the relationship between violence and value, gender and sexuality, the mass media, and the changing forms of modernity in the global south. She is also the author of New Worlds from Fragments: Film, Ethnography, and the Representation of Northwest Coast Cultures (1994) and In the Place of Origins: Modernity and Its Mediums in Northern Thailand (2000).